Student Response: The Highlands in Sir Walter
Scott’s Waverley
Fernando L. Olmo
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In the novel Waverley Sir Walter Scott introduces
the Scottish Highlands through the experiences of his hero Edward, Waverly.
Edward Waverley’s uncle who was concerned about his nephews bookish education
decided to send Waverley to Scotland, to harden him by making him learn
through experience while at the same time influencing his political thinking
in favor of the exiled Stuart family. Edward, willing, departed on the
journey, even though he had no choice in the matter.
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He saw it as an opportunity to live out his romantic
dreams, to play the romantic hero. The Highlands represented a backdrop
to his romantic fantasies, an unknown landscape, mysterious and exotic
with its people of different customs and a different language. It is a
frontier where anything can happen and ignited further his imagination.
Scotland would later prove to be just that, a wild, mysterious, chaotic
world within the “well ordered island of Great Britain” (130).
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The further north Edward went the wilder the landscape
and the people were.Edward sets
out on his expedition from London.London
is not described as Charles Dickens might have a few decades later in many
of his novels; Sir Walter Scott presents London as the center of conventional
society, a world of politics law and order. Perhaps Walter Scott chooses
to leave off details of London and Edwards home surroundings in order to
give the reader the image of London and Edwards’s home as an authoritative
environment. To the romantic like Edward his home and London represented
a limiting and predictable world, which he sought to escape from through
his books.
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Upon entering Scotland on his way at Tully-Veolan
Edward encounters the people of the Scottish Lowlands.Sir
Walter Scott describes poverty of the Lowlanders, their decrepit homes
and barren landscape. The children are scantily dressed barefooted and
dirty, roamed freely like orphans. The people are peasant like and their
homes were shabby “especially to an eye accustomed to the smiling neatness
of an English cottages” (74). The large population of dogs running about
freely, chasing every horse that rode by emphasized the disorderliness
of the village. The village also lacked natural resources and the villagers
used their little bit of property to produce what little they can.
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The lowland Scots at Tully-Veolan were described
as impolite, temperamental, disorderly, irrational and suspicious of the
English. But to Edwards surprise they were not too different from the English
in the way they dressed, although simple, and his host the baron of Bradwardine
was a well educated man who spoke many languages, Latin, French, and English
except for Gaelic. The Lowlanders described their neighboring Highlanders
as beggars, blackmailers“lawless
thieves, limmers, and broken men” (129).
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It was during Edward’s stay at Tully-Veolan that
the Highlands begin to unfold exciting his curiosity enough to venture
into the “land of romance,” the Highlands, and meet a powerful chieftain
Fergus Mac-Ivor. It is here that civilization is absent and anything is
possible.The rough natural landscape
reflected on its people, “the wilderness in which he dwelt- the wild warrior-forms
that surrounded him, were all calculated to inspire terror” (140).Fergus
Mac-Ivor embodiment of the Highland spirit, one foot in the wild the other
in civilization. The landscape seemed like a maze of jutting rocks, caves,
rivers and lakes, birch forests and twisting pines; difficult to move through
for an outsider but the Highlanders moved though them with ease.The
forests are full of wild game and fish as well as lamb and beef, which
found its way to their table in abundance. At the chieftains table ate
all, the upper and lower class and all seem to respect and worship their
chief Fergus Mac-Ivor.
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Fergus Mac-Ivor takes on the role of the romantic
hero in this romantic backdrop. To Edward he was everything he had hoped
to find and more. Through Waverley’s companionship with Fergus his romantic
notions of the Highlands came to life. Fergus is“a
gentleman of great honour and high pedigree”(139), a patriarchal figure
treated and respected similar to a king. He is charismatic, “polite handsome
man”, and virtuous valuing hospitality, loyalty and bravery unlike Waverly’s
first image of him as a wild native. He has the characteristics of a chivalric
hero. Fergus countenance is a balance of power, kindness and good humor,
described as being similar to a “smiling summer’s day”(154), unpredictable.
He is so powerful; he has the ability to mobilize a well-disciplined and
skilled militia of his clansmen with a nod. Fergus’s power comes from the
loyalty of his clansmen, which he obtains, not only by his charismatic
personality and bravery but also through his money and property with which
he is able to provide for his clansmen with a food and shelter.It
was through this power that Mac-Ivor chose to return to his land and lead
his people. His sister Flora, on the other hand, has a deep love for her
Highland culture and the land, a love she acquired through her studies
in the poetry of the Highland growing up in France.The
Highland landscape in her eyes is a romantic wilderness where “Celtic muse
is in the mist of the secret and solitary hill, and her voice is in the
mist of the secret and solitary hill, and her voice in the murmur of the
mountain stream” (177).
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The Highlands have satisfied in its beauty and it
wildness Edward insatiable hunger for the romantic. Added to the backdrop
the Mac-Ivors have provided Edward with two romantic figures.The
Scottish Highland represents an exotic foreign world within the supposedly
overcrowded island of Great Britain during a time in which Britain is expanding
its frontiers across the Atlantic. Yet within its own borders there is
this piece of undiscovered and misunderstood world in Scotland. Edward
has always sought an escape, within his book, from the controlling and
conventional world of England; he did not have to go far to find exactly
that.The Highlands gave him the
spirit to be free, free from his uncle and father, free from his military
obligations and freedom from the pressures of the public life and politics
of London.